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Creative Control
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DIRECTORS OF "Creative Control"
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Creative Control
CRITICS OF "Creative Control"
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Salt Lake Tribune
Resource

March 25, 2016

Shot in black-and-white, with some smartly strategic use of color, Creative Control has a sleek, polished look that belies its indie beginnings.
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Washington City Paper
Resource

March 19, 2016

A legitimately stylish close to a strainingly trendy film, suggesting that Dickinson may indeed have some talent if he could only get over himself.
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Washington Post
Resource

March 17, 2016

At times, I felt like I was out on a date with "Creative Control," only to find the movie kept checking its hair in the mirror every five minutes.
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San Francisco Examiner
Resource

July 01, 2016

The people in this future are shallow, selfish and depressing.
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The Patriot Ledger
Resource

March 19, 2016

It captures Brooklyn's trendy Williamsburg neighborhood in a whole new light. Shame the film couldn't do the same with its lame attempts at satire. But, hey, that's reality. And as we all know, it bites.
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ReelViews
Resource

March 18, 2016

Creative Control looks more interesting than it is.
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MetroActive
Resource

March 23, 2016

It's not easy to make a satire like this without crankiness, or to bring a new talent to the buckshotting of that sitting duck known as Nouveau Brooklyn, where "Namaste" is the Tibetan word for "f--- you."
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San Francisco Chronicle
Resource

March 17, 2016

Like Antonioni, Dickinson is less interested in narrative structure and character development, but there's a problem here: He has nothing new to say about technology, alienation and the lost art of romance.
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Philadelphia Inquirer
Resource

March 18, 2016

While it hits some of the usual sci-fi tropes, Creative Control's center of gravity isn't tech itself, but the relationships of those who use it.
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Chicago Reader
Resource

March 24, 2016

The movie is like Manhattan with mobile phones, and in fact the idea of constructing one's own reality fits right in with the Woody Allenesque tone.
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Boston Globe
Resource

March 17, 2016

Even after establishing David as a panicky wreck addicted to his morning Xanax chewables and evening booze, the movie doesn't dramatize his ensuing breakdown so that it makes sense or generates much sympathy.
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