Something went wrong
Try again later.
Evidence
Evidence is about a accident at a gas station, follow it is a series of fatal events without no reason. At criminal scene, polices only find out a tape of a victim. A detective joins, decides to throw off the mask.
30 July 1985, London, England, UK
29 September 1961, Knoxville, Tennessee, USA
28 July 1986, Vancouver, British Columbia, Canada
16 February 1982, Lansing, Michigan, USA
7 January 1974, Moscow, RSFSR, USSR [now Russia]
28 July 1975, St. Petersburg, Florida, USA
28 April 1976, Santa Barbara, California, USA
1 May 1990, Melbourne, Victoria, Australia
19 July 1969, New Brunswick, New Jersey, USA
29 December 1965, Chapel Hill, North Carolina, USA
12 November 1973, Melbourne, Victoria, Australia
16 November 1964, Chicago, Illinois, USA
8 June 1984, Long Island, New York, USA
August 13, 2013
may lose [the] viewer before the surprises late in the filmJuly 26, 2013
Familiar, predictable, unoriginal... but not entirely unwatchable.July 18, 2013
[Evidence] tries to camouflage a standard serial-killer story with digital flimflam and intellectual pretensions.July 18, 2013
Again, that the film actually makes time to set up a purpose for the found footage is marvelous. The rest of Evidence doesn't share the same inspiration.August 19, 2013
There are interesting ideas here, sadly let down by a weak central plot and formulaic realisation.July 25, 2013
The story's strained, reaching plot goes so far off the CommonSense-o-Meter that there's more than enough "evidence" to convict this movie of impersonating a good mystery.July 24, 2013
[A] combination of chaotic phony found footage and whimpering models.July 26, 2013
Evidence is actually three slightly incongruous film ideas in one almost effective package.July 18, 2013
The always beguiling Radha Mitchell can't save this stunted procedural-horror combo.July 18, 2013
You don't really care who done it, you just want it to be over with.July 26, 2013
Moyer plays scenes as if he'd rolled out of bed at noon after a long night of shooting in Bon Temps and had his script pages shoved into his hands five minutes before the director called "Action."July 18, 2013
Neither suspenseful nor even comprehensible, John Swetnam's dashed-off script (carelessly directed by Olatunde Osunsanmi) throws up plenty of red herrings - and a stupendously idiotic ending - but not a single character worth caring about.