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Kill Bill Vol 2
The Bride continues her quest of vengeance against her former boss and lover Bill, the reclusive bouncer Budd and the treacherous, one-eyed Elle.
4 December 1962, Tokyo, Japan
15 August 1953, Tokyo, Japan
25 September 1958, Chicago, Illinois, USA
30 November 1948, Philadelphia, Pennsylvania, USA
13 February 1941, Gothenburg, Västra Götalands län, Sweden
3 December 1960, Chicago, Illinois, USA
1966, USA
26 September 1972, New York City, New York, USA
11 July 1964, Laurel, Maryland, USA
30 January 1972, Ibaraki, Japan
1943, Ishikawa, Japan
1964, Osaka, Japan
29 April 1970, Boston, Massachusetts, USA
2 December 1968, Queens, New York City, New York, USA
23 January 1939, Fukuoka, Japan
December 24, 2010
Sequel just as over-the-top explicitly violent.October 18, 2008
Quentin Tarantino revels in the art and craft of cinema; so much so he has managed to mine all his favourite genres and make the style the substance.May 14, 2004
If he doesn't take care Tarantino could make something significantly worse.August 15, 2012
It has its moments, and Thurman is an appealing heroine. But on the whole, this is a disjointed, disappointing and monstrously self-indulgent exercise.August 07, 2008
Full of surprises and cinematic homage.June 24, 2006
Those turned off by the first part's reckless, relentless violent purges aren't likely to find cause for conversion, but Vol. 2 certainly broadens the tale's remit, even as it aims to deepen it.May 06, 2009
Although it's a gigantic shame that Miramax split Quentin Tarantino's long awaited 'kung-fu samurai Spaghetti Western love story' epic into two halves, "Kill Bill Vol. 2" pays off in spades...April 29, 2004
A gargantuanly entertaining double feature.August 07, 2004
I've lost my sweet tooth for slice-and-dice escapism, and perhaps this is why I feel the need to see movies that don't simply glamorize or fetishize or supernaturalize brutality.August 15, 2012
If Kill Bill - Vol. 1 was like a roundhouse kick to the head, Vol. 2 is practically a warm hug.August 01, 2004
The pop encyclopedist and video-store genius has become a megalomaniac, and the exhilarating filmmaker he might have been is disappearing fast.