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Miracle at St. Anna
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DIRECTORS OF "Miracle at St. Anna"
Miracle at St. Anna
CRITICS OF "Miracle at St. Anna"
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Q Network Film Desk
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June 11, 2014

Lee clearly has magical realism, fable, and historical enormity on the brain, and even though he stuffs the film with everything but the proverbial kitchen sink, his ultimate point is anyone's guess
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Movie Talk
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June 27, 2011

Miracle makes a bid for epic status, but Lee throws in more elements - including murder mystery and supernatural fantasy - than the narrative can stand. The two big battle scenes are impressively staged, but the action in between sprawls and stumbles.
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Washington Post
Resource

September 26, 2008

Overwrought, overproduced, overbusy and overlong, Miracle at St. Anna finally suffers from the worst filmmaking sin of all: the failure of trust, in the story and the audience.
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Washington Times
Resource

August 30, 2009

Spike Lee has turned in an odd hybrid of a film--a 160 minute war epic combined with a crime thriller combined with a discourse on civil rights.
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Stop Smiling
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May 17, 2016

There's barely anything in Miracle that comes across as genuine.
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Ozus' World Movie Reviews
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September 18, 2009

Takes too long to get to its one moving moment at the end.
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At the Movies
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November 07, 2008

It's impressive that a filmmaker of Lee's distinction is willing to continue to push boundaries.
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East Bay Express
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August 15, 2011

At 160 minutes, it definitely suffers from Oscar Bloat.
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Toronto Star
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September 26, 2008

[Lee] resorts to many of the same hoary clichés and fantasy situations he so frequently condemns.
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Christian Science Monitor
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September 29, 2008

Clocking in at 160 minutes, this interminable movie comes across like a rough cut. Perhaps Lee believed its length would give it gravitas. The opposite is true.
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Film.com
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November 10, 2008

Lee is a filmmaker who, through talent, accomplishment, and a constant working of the refs in the Hollywood system, has earned autonomy over his films. I'm all for artistic freedom, but here he could have used a bit of oversight.
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Wall Street Journal
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September 26, 2008

Given the importance of that subject, the real mystery of Mr. Lee's movie is why it's so diffuse, dispirited, emotionally distanced and dramatically inert.
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