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Sphere
CRITICS OF "Sphere"
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rec.arts.movies.reviews

February 02, 2004

Word 'pointless' is the one that should be attributed to this whole film, one of the worst to come from Hollywood in past decade and one that would test patience and temper of the audience like few others.
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Film Blather
Resource

May 22, 2003

If you want a better sci-fi film go see Dark City. A better Levinson movie? Try Wag the Dog.
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Los Angeles Times
Resource

February 14, 2001

As the umpteenth entrant in the We-Are-Not-Alone sweepstakes, Sphere feels awfully familiar because it is.
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Film Quips Online
Resource

February 08, 2003

For a movie of a novel written by Michael Crichton with such a capable cast, Sphere is quite a disappointment.
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Combustible Celluloid
Resource

May 26, 2006

The central idea for Sphere is an intriguing one, but similar concepts have been much better executed on episodes of Star Trek, which makes one wonder why movie writing is allowed to be so bad.
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Palo Alto Weekly

May 14, 2003

Packaged as a smart psychological drama, it gradually dissolves into a badly edited action thriller, albeit one obscured by a cast of top notch talent.
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Time Out
Resource

June 24, 2006

Three major stars being involved, it all wraps up happily but implausibly.
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AboutFilm.com

August 12, 2003

Let's face facts: Michael Crichton is a hack. He comes up with innovative concepts, but his characters are cardboard cutouts. Given the psychological foundations of the story, that's an egregious flaw, and the ending is absurdly dissatisfying.
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ReelViews
Resource

January 01, 2000

Somewhere out there, maybe there's a small cadre of film-goers who will appreciate Sphere's dubious charms, but I'm not among them.
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San Francisco Chronicle
Resource

June 18, 2002

The ending, though emotionally satisfying, collapses under scrutiny. This lack of payoff is a real flaw in a film pitched to a discriminating sci-fi mentality.
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Variety

August 05, 2008

An empty shell.
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Globe and Mail
Resource

April 12, 2002

Given its situational premise -- outer space goes underwater -- Sphere is filled with visual potential, yet Levinson can't tap it. He's just a whole lot more comfortable trying to tame the human software than the technical hardware.
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