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The Graduate
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The Graduate
CRITICS OF "The Graduate"
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Under the Radar
Resource

March 06, 2016

Every element seemed to align for Mike Nichols, from perfect casting and honest performances, to ... that iconic Simon & Garfunkel soundtrack.
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Christian Science Monitor
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March 10, 2015

Dustin Hoffman gives the inspired performance that launched his movie career, and director Mike Nichols shows a gift for social satire that has never glistened quite so brightly since.
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Village Voice
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January 14, 2013

The emotional elevation of the film is due in no small measure to the extraordinarily engaging performances of Anne Bancroft as the wife-mother-mistress, Dustin Hoffman as the lumbering Lancelot, and Katherine Ross as his fair Elaine.
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Scene-Stealers.com
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May 31, 2016

The Graduate is exciting because it captured a specific moment in time culturally, but within its three main characters, it captures timeless themes of feeling desperate, lost, and confused.
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Daily Telegraph (UK)
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March 10, 2015

Directorially, it is as cutting-edge late-Sixties as you can get -- all fish-bowl juxtapositions, dappled light and pensive close-ups.
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New York Magazine/Vulture
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March 10, 2015

Be agog at Anne Bancroft's Mrs. Robinson in some of the most hilariously icky seduction scenes ever filmed. See Mike Nichols (with help from Simon & Garfunkel) take control of the Zeitgeist. See the mood go dark -- darker than you remember.
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The Nation
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March 10, 2015

"Never trust anyone over 30" is a slogan that could have served the Restoration as well as it does our own time, and Nichols makes the old formula seem as topical as mini-skirts.
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Time Out
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April 10, 2012

It's consistently fleet and funny, even as it probes the heady abandon and looming hangover that typified the decade of discontent.
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The New Republic
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November 24, 2014

The Graduate gives some substance to the contention that American films are coming of age -- of our age.
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New York Daily News
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March 10, 2015

As it stands, the vacuum of that warped, moneyed Los Angeles society is too exaggerated, too incredible. But one can't help but believe in Hoffman if not in the disjointed character he portrays.
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Hollywood Reporter
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November 20, 2014

The remarkably true ring of Webb's dialogue is preserved and augmented, the visual potential lifted to next power in absurdity.
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