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The Killing Fields
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The Killing Fields

Description
During the war in Cambodia, Sidney Schanberg is The New York Times reporter who assumes to cover the war with his local interpreter Dith Pran. Sidney and Dith friendship helped them to survive through the brutal events of the war. Sidney tried to help Dith by evacuating Dith and his family out of Cambodia but he failed and left Dith to face the death under this totalitarian regime.
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The Killing Fields
CRITICS OF "The Killing Fields"
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David Sterritt
Resource

September 16, 2015

[A] gripping, intelligent, provocative drama.
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Dan Jardine
Resource

January 09, 2015

Ngor's naturalistic and empathic portrayal of his character's desperate fight for survival is the key to this film's visceral power.
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Roger Ebert
Resource

October 23, 2004

The best moments are the human ones, the conversations, the exchanges of trust, the waiting around, the sudden fear, the quick bursts of violence, the desperation.
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Noel Murray
Resource

January 13, 2014

Every scene of The Killing Fields (and every participant in its making) is in service of showing how abruptly a seemingly safe and vital individual can have everything essential stripped away.
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Adrian Turner
Resource

September 16, 2015

Few feature films have captured a nation's agony more dramatically than Roland Joffé's The Killing Fields.
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Matt Brunson
Resource

January 15, 2014

One of the great films from what proved to be a great year for cinema, The Killing Fields hasn't lost any of its power over the ensuing 30 years.
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Dave Kehr
Resource

April 09, 2008

The screen is swamped by a bathetic, self-preening sententiousness.
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Peter Travers
Resource

September 16, 2015

If you see no more than one film a year, make this the one for 1984.
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Vincent Canby

May 20, 2003

The movie is diffuse and wandering. It's someone telling a long, interesting story who can't get to the point.
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Variety Staff
Resource

April 09, 2008

The intent and outward trappings are all impressively in place, but at its heart there's something missing.
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Richard Schickel
Resource

August 25, 2008

It must be nerve-racking for the producers to offer a tale so lacking in standard melodramatic satisfactions. But the result is worth it, for this is the clearest film statement yet on how the nature of heroism has changed in this totalitarian century.
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Geoff Andrew
Resource

February 09, 2006

The film's overall thrust -- angry, intelligent, compassionate -- makes this producer Puttnam's finest movie to date.
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