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The Lost City of Z
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DIRECTORS OF "The Lost City of Z"
The Lost City of Z
CRITICS OF "The Lost City of Z"
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Missoula Independent
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June 22, 2017

While it didn't exactly make me feel anything, I'm confident that for others, the elements are there to be felt.
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Saporta Report (Atlanta)
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June 15, 2017

"The Lost City of Z" is flush with the sort of breathtaking stuff that even the most amazing CGI can't provide. Cinematographer Darius Khondji is the obvious hero, but a lot of the credit goes to the cast.
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Detroit News
Resource

April 21, 2017

It's a bold journey and it's a little bonkers, but like Fawcett, "The Lost City of Z" is admirable in its resilience.
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Scroll.in
Resource

May 25, 2017

Gray and Khondji remain ceaseless in their commitment to a kind of classical visual storytelling that Hollywood rarely delivers on these days.
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Sojourners
Resource

June 23, 2017

A gorgeous, moody exercise that is equal parts character study and adventure.
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Hindustan Times
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May 26, 2017

The Lost City of Z is a stimulating reconstruction of one man's quest, over decades, for a vanished South American civilisation.
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ReelViews
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April 22, 2017

Although The Lost City of Z held my interest, it felt like a missed opportunity. Like too many biographical movies, this one tries to do too much.
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St. Anthony Messenger
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June 21, 2017

It's very much a classic adventure movie, and I enjoyed it very much.
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Chicago Sun-Times
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April 20, 2017

Hunnam expertly conveys Fawcett's bravery, spirit and sometimes reckless nature. At times we sense even he knows he might never find absolute proof of the City of Z - but he'll die trying if he must.
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San Diego Reader
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April 21, 2017

There is an unexploitative, unsensational grounding to the whole affair that lends it dignity, but that doesn't quite justify the 140-minute runtime.
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Tribune News Service
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April 24, 2017

Miller's riveting, heartfelt portrayal etches a delicate picture underneath the colorful, wild portrait of Fawcett - of the losses suffered at home in service of greater ambitions and fantastical dreams.
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Globe and Mail
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April 21, 2017

The never-ending jungle proves perfectly suited to the filmmaker's lush, operatic aesthetic, as does the film's central theme of escaping one's background, through whatever means necessary.
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